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Quarter CT Orange. Converts daylight 6500K to tungsten light 4600K
3 pièce (s) en stock
Half CT Blue. Converts tungsten 3200K to daylight 4300K
2 pièce (s) en stock
Full CT Orange. Converts daylight 6500K to tungsten light 3200K
1 pièce (s) en stock
Full CT Blue. Converts tungsten 3200K to photographic daylight 5700K
2 pièce (s) en stock
Quarter White Diffusion. Quarter strength 216
4 pièce (s) en stock
Eighth White Diffusion. Eighth strength 216
3 pièce (s) en stock
Full White Diffusion. Soft light effect (50 micron)
2 pièce (s) en stock
Half White Diffusion. Half strength 216
3 pièce (s) en stock
Polarizing Filter - 43cm x 15.24m roll
Quickly and easily change the color temperature of your SkyPanel S60-RP fixture with this 10000K Remote Phosphor Panel from Arri.
HS Phosphor panel (set of 2) - Chroma Green
Quickly and easily change the color temperature of your SkyPanel S30-RP fixture with this 10000K Remote Phosphor Panel from Arri.
including Narrow Spot (NSP), Medium Flood (MFL), Wide Flood (WFL) Horizontal and Vertical Nanoptic Lenses and Bag.
HS Phosphor Panel Set - 5600K
HS Phosphor Panel Set - 2700k
HS Phosphor Panel Set - 4300K
Super Heat Shield - 1.22m x 7.62m
Super Heat Shield - 61cm x 15.24m
Black / Black Scrim. Reduce light intensity without reflections
Scrim Silver/Black. Soft reflection, can be used on windows
Polarizing Filter - 17" x 10'
Quarter Grid Cloth. Diffusion material
Light Grid Cloth Diffusion material
Grid Cloth. Diffusion material
Polarizing Filter - 43cm x 3.05m roll
HS Phosphor Panel Set - 5600K
HS Phosphor Panel Set - 3200K
Heat Shield. Designed to increase life of filter, install between light source and filter, ensure circulation of air around light source, heat shield and filter.
1/4 SILENT GRID CLOTH 1.52m x 6.09m / 60" x 20ft
1/2 SILENT GRID CLOTH1.52m x 6.09m / 60" x 20ft
Silver Reflector. Soft reflection
Gold Reflector. Soft reflection
Inca 12 5-Piece CTB Gel Set with Gel Bag
Sola 12 5-Piece CTO Gel Set with Gel Bag
LS Phosphor Panel - Chroma Green
5x Series 400 sized Eflect gel filter, incl. DFH400 filter holder. Fits DLH400D, DLH652T, DLED9, DLED10 light heads
Délai de livraison de 4 à 6 semaines
Mirror Gold/Silver Gold/Silver
Mirror Silver/Gold Silver/Gold
Brushed Silk Diffusion material
including Full CTO, 1/2 CTO, 1/4 CTO, 1/8 CTO, Half White Diffusion and Gel Bag.
including Full CTB, 1/2 CTB, 1/4 CTB, 1/8 CTB, Half White Diffusion and Gel Bag.
LS Phosphor Panel - 4300K
LS Phosphor Panel - 6500K
LS Phosphor Panel - 2700k
Works with all original 1x1 models only. Including Full CTB, 1/2 CTB, 1/4 CTB, 1/8 CTB, Half White Diffusion, Opal Frost Diffusion and Gel Bag.
Works with all original 1x1 models only. Including Full CTO, 1/2 CTO, 1/4 CTO, 1/8 CTO, Half White Diffusion, Opal Frost Diffusion and Gel Bag.
including Full CTB, 1/2 CTB, 1/4 CTB, 1/8 CTB, Opal Frost Diffusion and Gel Bag.
including Full CTO, 1/2 CTO, 1/4 CTO, 1/8 CTO, Opal Frost Diffusion and Gel Bag.
Works with all original 1x1 models only. Including 1/2 CTO, 1/4 CTO, 1/2 CTB, 1/4 CTB, Half White Diffusion, Opal Frost Diffusion and Gel Bag.
Super Heat Shield - 61cm x 7.62m
Cinescreen Roll
To convert Daylight light sources to tungsten. Weight: 86 g (3 oz.)
Délai de livraison de 4 à 6 semaines
Cinebounce white/black- 1.52m x 6.10m
Astra 1x1 5-piece CTO Gel Set with Bag - including Full CTO, 1/2 CTO, 1/4 CTO, 1/8 CTO, Opal Frost Diffusion and Gel Bag.
Astra 1x1 5-piece CTB Gel Set with Bag - including Full CTB, 1/2 CTB, 1/4 CTB, 1/8 CTB, Opal Frost Diffusion and Gel Bag.
1/2 SOFT FROST 1.22m x 7.62m / 48" x 25ft
Polybounce. Soft diffusion, light bounce filter
BLACKOUT Blackout window light-block filter
5x Classic sized Eflect gel filter, incl. DFH filter holder. Fits DLH4, DLH200D, DLED4, DLED7 light heads
Délai de livraison de 4 à 6 semaines
BlackScrim Roll 1.22 x 7.6m
RoscoScrim Roll 1.22 x 7.6m
Roscoscrim (slvr/blk)
HS Phosphor Panel Set - Chroma Blue
LS Phosphor Panel - 5600K
LS Phosphor Panel - 3200K
270 & 275 Roll 1.22m x 7.62m
Rosco Flex H (hard)
Flex SS (supersoft)
Featherflex Silver/Gold
Powder Frost
Silent Light Grid Cloth- 1.52m x 6.10m
1/2 Blue Gridcloth -1.52m x 6.10m
1/4 Blue Grid Cloth -1.52m x 6.10m
Full Straw Grid Cloth -1.52m x 6.10m
1/4 Straw Grid Cloth -1.52m x 6.10m
Moonlight Gridcloth -1.52m x 6.10m
1/2 Straw Gridcloth-1.52m x 6.10m
Silent 1/4 Grid Cloth 1.52m x 6.10m
Hilite - 1.40m x 6.71m
Roll 1.22m x 7.62m
Roll 1.52m x 6.10m
Tough UV Filter - 1.22m x 7.62m
U.V. Filter - 61cm x 15.24m
Roll 1.22m x 7.62m
Roll 1.22m x 7.62m
Tough Frost
Light Tough Frost
Fluorescent Light Filters Roll - 1.22m x 7.62m
Neutral Density Roll - 1.52m x 6.10m
Daylight Conversion Roll - 1.22m x 7.62m
Flex G (gold tint)
Rosco Flex S (soft)
Flex M (mirror)
Storaro Rolls - 1.22m x 7.62m
Cinelux Rolls - 1.22m x 7.62m
Calcolor Rolls - 1.22m x 7.62m
Full Tough Spun Diffusion material
Half Tough Spun. Diffusion material
Quarter Tough spun Diffusion material
Full Minus Green. Used for eliminating green cast caused by fluorescent lighting on film. (Approximately equivalent to CC30 magenta camera filter)
Half Minus Green. Used for eliminating green cast caused by fluorescent lighting on film. (Approximately equivalent to CC15 magenta camera filter)
Quarter Plus Green. Provides a green cast when used on daylight and tungsten sources for partial balancing with fluorescent. (Approximately equivalent to CC075 green camera filter)
Full Plus Green. Provides a green cast when used on daylight and tungsten sources for partial balancing with fluorescent. (Approximately equivalent to CC30 green camera filter)
Eighth Plus Green. Provides a green cast when used on daylight and tungsten sources for partial balancing with fluorescent. (Approximately equivalent to CC0375 green camera filter)
Half Plus Green. Provides a green cast when used on daylight and tungsten sources for partial balancing with fluorescent. (Approximately equivalent to CC15 green camera filter)
C.I.D. ( To Tungsten ) Converts CID to 3200K, use with tungsten film
C.S.I. ( To Tungsten ) Converts CSI to 3200K, use with tungsten film
Fluorescent 5700K. Converts tungsten to fluorescent light of 5700K (cool white/daylight). Used with camera filter
Fluorescent 4300K. Converts tungsten to fluorescent light of 4300K (white). Used with camera filter
Fluorescent 3600K. Converts tungsten to fluorescent light of 3600K (warm white). Used with camera filter
Light Frost. Light frost effect
Three Quarter CT Orange. Converts daylight 6500K to tungsten light 3600K
Three Quarter CT Blue. Converts tungsten 3200K to daylight 5000K
0.15 Neutral Density. Reduces light Half stop without changing colour
1.2 Neutral Density. Reduces light 4 stops without changing colour
Full CT Straw. Converts daylight to tungsten with yellow bias 6500k to 3200k
Half CT Straw. Converts daylight to tungsten with yellow bias 6500k to 4300k
Quater CT Straw. Converts daylight to tungsten with yellow bias 6500k to 5100k
Super White Flame Green. Converts white flame arc to 3200K, for use with tungsten film
Eighth CT Straw. Converts daylight to tungsten with yellow bias 6500k to 5700k
F3 Frost Soft light effect (75 micron)
.3ND 1.524m x 6.1m (60 x 20ft)
.6ND 1.524m x 6.1m (60 x 20ft)
.9ND 1.524m x 6.1m (60 x 20ft)
H.M.I. ( To Tungsten ) Converts HMI to 3200K, use with tungsten film
0.9 Neutral Density. Reduces light 3 stops without changing colour
Super Correction L.C.T. Yellow. Converts yellow carbon arc (of low colour temperature) to tungsten
Quarter CT Blue. Converts tungsten 3200K to daylight 3600K
Half CT Orange. Converts daylight 6500K to tungsten light 3800K
0.3 Neutral Density. Reduces light 1 stop without changing colour
0.6 Neutral Density. Reduces light 2 stops without changing colour
U.V. Transmission of less than 50% at 410nms
N.D. Frost. Soft light effect with neutral density (75 micron)
Quarter Minus Green. Used for eliminating green cast caused by fluorescent lighting on film. (Approximately equivalent to CC075 magenta camera filter)
Eighth Minus Green. Used for eliminating green cast caused by fluorescent lighting on film. (Approximately equivalent to CC0375 magenta camera filter)
Double CT Blue. Converts tungsten 3200K to daylight 26000K
CT Orange + .3 ND. Converts daylight to tungsten 6500K to 3200K and reduces light 1 stop
CT Orange + .6 ND. Converts daylight to tungsten 6500K to 3200K and reduces light 2 stops
L.C.T. Yellow. Reduces colour temperature of low carbon arcs to 3200K
White Flame Green. Corrects white flame carbon arcs by absorbing U.V.
Eighth CT Blue. Converts tungsten 3200K to daylight 3400K
Fluorescent Green. General tungsten to fluorescent correction for use when fluorescent colour temperature Is unknown, to provide medium correction. Used with colour correction filter
White Frost. Used for soft light effect (75 micron)
Blue Frost. Used for soft light effect increases colour temperature slightly (75 micron)
Eighth CT Orange. Converts daylight 6500K to tungsten light 5550K
Daylight Blue Frost. Soft light effect with tungsten correction using full CT Blue (75 micron)
Tungsten Conversion Roll - 1.22m x 7.62m
Pocket for rolling for 12 rolls color filter film to 122 cm. Transparent pocket. Dimensions 134cm x 75cm. Weight 1.8kg.
Tough Rolux
Light Rolux
Lily Frost. Smoothes flood washes of large areas. Useful for house lights; a good colour wash for evening events
Gold Medal. A 'proper' gold to celebrate the 50th Anniversary of the ALD. It maintains its richness as it dims, becoming more molten as the percentage is reduced.
Deeper Blue. Moonlight, strong backlights (television)
Dark Bastard Amber. Television
Double new colour blue. The strongest of the NCB series for dramatic 'white' face and key light where warmer tones than CTB are required
New colour blue. A lighter correction in the NCB series.
Half New Colour blue. A lighter correction in the NCB series.
Quarter New Colour blue. The lightest correction in the NCB series.
Waterfront Green. Designed for period key light and modern urban horizons.
Sally Green. A fresh, light and airy summer green. 'Under tree canopy' light quality without 'pantomime countryside'. Subtle enough to light faces without having to add too much general cover on top.
Marlene. Flattering skin tone filter without the comedy 'pink'. Named for Marlene Dietrich who understood the importance of beautiful lighting, especially at a certain age!
Madge roll. Denser, saturated orange version of 135 avoiding 'pinky red'. Good for backlight, instruments, part of a sunset palette, and getting a party atmosphere. 'Madge' is short for Imagination.
Ultimate Violet. Musical performances for general colour washes and set lighting
Midnight Maya roll. A rich, sultry blue. Like Congo Blue, but allowing greater light transmission so more maintenance friendly - fewer gel changes.
Half Mustard Yellow. Half strength Sodium light effect, designed for use with daylight sources.
Full CT Eight Five. A 'proper' gold to celebrate the 50th Anniversary of the ALD. It maintains its richness as it dims, becoming more molten as the percentage is reduced.
Lily. Cool lavender with little red content. Good for romantic evening exteriors
Quarter Mustard Yellow. Quarter strength Sodium light effect, designed for use with daylight sources.
Industry Sodium, used on tungsten to blend with sodium light.
Hi Sodium, used on tungsten to create a High Pressure Sodium look.
Urban Sodium, used on tungsten to create the orange glow associated with Sodium light.
Lo Sodium, used on tungsten to create a Low Pressure Sodium look.
Perfect Lavender. In-between 170 Deep Lavender and 345 Fuchsia Pink, and is good for backlighting and romantic atmospheres.
Provence. The colour of the Lavender fields of the south of France. A redder version of 180 for use on cameras balanced to tungsten sources.
Special Pale Lavender. A cold lavender with full tungsten source, but warms as source dimmed. Good as a fill for slow sunset fades
Cold Lavender. A colour that would be great for front / key lighting and that works well with 152 Pale Gold.
Light Green. Blue Television, pleasing effects for lighting
Kings Full Lavender. A cold lavender.
Sky Blue. Television, night effect
No Colour Blue. Moonlight for blue seas, cycloramas with 147 to produce sunsets
Medium Purple. Television
Violet. Dusk effect, good skin tone, romantic effect
Jade. Used for underwater scenes, cycloramas, backlighting
Electric Lilac. Good colour rendering
Soft Green. Cool green, used for gobo cover, pantomime, cycloramas
Dark Amber. Backlight
Mallard Green. Good for mood setting, undergrowth
Forest Green. Deep green, sinister forest scenes, cycloramas, backlighting
Follies Pink. Dramatic stage lighting
Rose Pink. Pantomimes, light entertainment etc, strong stage wash
Rose Purple. Television, discos, cycloramas
Surprise Lavender, Television
Plum Romantic, atmospheric set lighting
Special Lavender. Moonlight, romantic scenes, enhances skin tones
Medium Lavender. Theatre and television effect, lighting, backlighting
Fuchsia Pink. Musical revue, pantomime, sultry scenes
Rose Purple. Television, cycloramas
Special Golden Amber. Television - set lighting
Pale Blue. Cool wash, cycloramas
Glacier Blue. Cold blue, good for cool atmospheric setting
Lighter Blue. Daylight effects
Special Steel Blue. Cooling green wash for stage and set lighting
Special Medium Blue. Mood effects
Bright Blue, Television
Surprise Blue, Television
Special Medium Blue. Cool moonlight, mood effects
Cornflower. Seasonal mood lighting, pale moonlight
Light Green. Television, cycloramas
Yellow Green. Television
Golden Amber. Television, set lighting
Cool Lavender. For use as a warmer tint without turning yellow and to recreate the colour of fluorescent lighting.
Cosmetic Peach. Pale tints complementary to key lighting
Spir Special Blue. A cool industrial blue.
Maris Red. Nice deep full red. Rose leaf colour.
Sun Colour Straw. Adds warmth, bright sunlight
Sunlight Yellow. Useful for producing a strong sunlight effect
Oklahoma Yellow. Bright sun with warm ochre overtones
Egg Yolk Yellow. A bold strong chemical yellow, less orange/red than 179 Chrome orange.
Burnt Yellow. A colour that feels warm and dense on camera, a balance between 179 and 105.
Cardbox Amber. Warm tint for skin tones.
Soft Amber Key 1. Used for producing a warm key light colour
Soft Amber Key 2. Used for producing a warm key light colour
Nectarine. Romantic sunset. Period pieces
Millennium Gold. For Lighting architecture: produces rich amber from tungsten source, much cooler on a HMI lamp
Bastard Pink. Deep sunset. Useful on dark skin tones
As Gold Amber. Between 778 Millennium Gold and 135 Deep Golden Amber, but less red. A strong colour good for backlighting.
Terry Red. Strong amber red that works well when used against reds and dark ambers, in wash combinations and on cycloramas
Blood Red. For a deep saturated red effect. Used when a strong vivid red effect is required.
Durham Frost. A frost that almost completely softens shutter edges and removes hot spots
Moroccan Pink. Rich, natural pink, good for late afternoon sun effects
Moroccan Frost. Smoothes flood washes of large areas. Useful for house lights; good for interior colour washes
Vanity Fair. Rich, glamorous pink, for use on special occasions
Pretty and Pink. Warm and soft effects
Magical Magenta. Rich mix of reds and pinks
Deep Purple. Musical performances for general colour washes and set lighting
Chrysalis Pink. Deep lavender with dash of rose blusher
Special K H Lavender. A deep lavender that brings out the UV.
Flame Red Fire effect
Flame Fire effect
Cosmetic Aqua Blue Pale tints complementary to key lighting
Light Red Television effect lighting, cycloramas
Mustard Yellow Spooky when used in haze. Removes some red and blue. Works best with daylight bulbs. Sodium lamp effect.
Wheat. Adds warmth, sunlight
Hampshire Rose. Combines flesh tone warmer 154 with some Hampshire frost.
Cold Blue. To give a cold/grey HMI effect from a tungsten source
Old Steel Blue. Cool wash, useful for highlights
Bedford Blue Smoky, warm blue
J.Winter Blue. Very dark blue with high UV content. Moody and powerful stage colour wash
Elysian Blue. Moonlight, cyclormas
Cabana Blue. Deep blue. Enough transmission to work on TV
Mikkel Blue. Romantic blue to produce night effect
Shanklin Frost. 201 with frost to soft beam of profile units
Half Shanklin Frost. 202 with frost to soft beam of profile units
Colour Wash Blue. To allow low intensity tungsten to hold cold/blue feel
Durham Daylight Frost. Smoothes flood washes of large areas. Useful for house lights; good for entrances from natural light
Berry Blue. Musical performances for rear colour wash
Bray Blue. Pure blue with very little red in it
Virgin Blue. This is a pure blue, not too green and not too lavender, yet still feels warm for a blue with an early morning feel.
Ocean Blue. Useful at low levels of light, dull skies and moonlight
QFD Blue. A special version of 729 Scuba Blue which is good for backlighting and swimming pool effects.
Seedy Pink. Smokey pink, good for tungsten on skin tones
Steel Green. Approaching storms. Overcast days. Cold steely light
Scuba Blue. Musical performances for rear colour wash
Liberty Green. For creating mystery and suspense
Dirty Ice. Dirtier than 730 Liberty green, more orange, sympathetic with skin tones.
Damp Squib. A dirty green, reduces warmth. Good for cross lighting.
Velvet Green. Beautiful background green. Victorian melodrama
Twickenham Green. A powerful green with depth, for music or light entertainment.
Jas Green. Rich yellowish green: concert stage wash where darker skin tones, costume and set are a consideration
Aura Borealis Green. Primary jungle colour. Removes some red and blue. Works best with daylight bulbs. Sodium lamp effect.
Brum Brown Dirtier than 156 Chocolate, good for skin tones Dims well and doesn't go pink at low light levels.
Dirty White. Correct a daylight source to an off white tungsten source. Used with a tungsten source provides a "dingy" effect like a smoky bar.
Brown. Murky, dirty feel to tungsten. Darker, less pink chocolate
Easy White. Primarily developed for fluorescents to ensure warm, comfortable light and flattering skin tones.
Special Light Amber. Television - set lighting
Peacock Blue. Pleasing effect on sets, cyclorama, cloths backlighting
Special Straw. Television - set lighting
Spring Yellow. Sunlight wash-use with gobos-disco- dark skin tones
Medium Purple
Light Lavender. Set dressing, pantomimes and musicals
Paler Lavender. Slightly cool wash
Lavender Moonlight, strong backlighting
Mist Blue. Night scenes, cool wash
Pale Blue. Cycloramas, cool wash
Sky Blue. Night effect, cycloramas
Tokyo Blue. Deep blue, midnight scenes, cycloramas, skin tones
Evening Blue. Good for night scenes, romantic moonlight
Deeper Blue. Moonlight, strong backlighting
Lime Green, use with gobos for leafy glades-pantos- slightly sinister atmosphere
Moss Green, use with gobos for forest scenes
Yellow. Sunlight and window effect - pleasant in acting areas
Dark Magenta. Very strong pink, good for backlighting
Light Amber. Lamplight effects - dawn sun effects - pleasant in acting areas
Straw. Pale sunlight through window effect - warm winter effect
Deep Amber. Mood effect on backing, backlighting of floor and colour effect
Orange. Many light entertainment, functions, fire effect if used with 106 166 104
Light Rose. Mood effect on backing, backlighting of floor and colour effect
Medium Straw. Television - set lighting
Light Salmon. Interesting backlighting
Middle Rose. Pleasing effects for theatrical lighting
Dark Pink. Good for cycloramas
Magenta. Very strong - use carefully for small areas on set
Medium Blue. Green Pleasing effects for theatrical lighting
Steel Blue. Gaslight in conjunction with 213
Rose Purple. Musical revues, discos, cycloramas
Pink Carnation. Soft cool pastel pink, good for back lighting
Dark Blue. Moonlight mood effect, jaz club ect
Dark Salmon. Enhances dark skin tones, sunsets, ballroom sets
Gold Amber. Fire effect sunset
Just Blue Cycloramas
Dark Yellow Green. Highlighting for forest scenes
Primary Red. Strong red effect, cycloramas
Primary Green, Cycloramas
Moonlight Blue. Moonlight, cycloramas
Cosmetic Highlight. Pale tints complementary to key lighting
Argent Blue. LSIs Silver Anniversary colour. Great for a foreboding cold winter's night, but allows enough light transmission to be useful for general illuminance too.
Rust. A vivid rust colour effect
Rose Pink. Strong pink wash cycloramas
Lavender Tint. Subtle cool wash for stage and studio Lighting
Pale Yellow Sunlight
Pale Amber Gold. Late sunlight
Medium Pink. Front of house lanterns
Medium Yellow Sunlight effect
Straw Tint. Sunlight wash with gobos, interior lighting
Surprise Peach. Skin tones - mood light
Fire. Disco effect - fire effect
Medium Amber. Late sunlight
Dark Amber Backlight
Scarlet. Pantomime, ballroom sets, fire effects
Sunset. Red Warm stage wash - TV studio wash - Sunset effect
Bright Red Cycloramas
Medium Red Cycloramas
PLASA Red Cycloramas
No Colour Pink. Musical revues, warm wash lighting, colourwash
Light Pink. Musical revues, warm wash lighting, colourwash
Light Blue. Strong night effect
English Rose. Warm tint wash - dark flesh tones - softer skin tones
Deep Blue. Pleasing effects for theatrical lighting
Cosmetic Burgundy. Pale tints complementary to key lighting
Bastard Amber. Warm white, warm wash, lamplight
Daylight Blue, Moonlight
Pale Red, Cycloramas
Lilac Tint. Ballroom - dance - backlighting - front of house
Deep Lavender. Set lighting - discos - theatres
Lagoon Blue. Floodlit warm wash - underwater scenes - ballet
Evergreen, Cycloramas
Loving Amber Sunrise, backlight
Chrome Orange. Combination of half CTO and double strength 104, sunlight
Dark Lavender. Pleasing effects for theatrical effects, backlighting
Congo Blue. Theatre and television effect lighting, cycloramas
Light Red. Theatre and television effect lighting, cycloramas
Cosmetic Silver. Rose Pale tints complementary to key lighting
No Colour. Straw Warm effect, sunlight
Cosmetic Rouge. Pale tints complementary to key lighting
Cosmetic Silver Moss. Pale tints complementary to key lighting
Cosmetic Emerald. Pale tints complementary to key lighting
Flesh Pink. Musical and Pantomime key lights
Rosy Amber. Warm, emotional, romantic
Surprise Pink, with 193 for musicals
Zenith Blue. Moonlight for dark sets, cycloramas
True Blue. To produce sunsets
Alice Blue. Moonlight, cycloramas
Palace Blue. Dark moonlight - romantic evening
Regal Blue. A deep lavender blue that strongly enhances skin tones.
Pale Gold. Interior lighting to enhance skin tones
Medium Lemon. Television - set lighting
Slate Blue. Moonlight and dusk
Dark Steel Blue. Set lighting - creates good moonlight shadows
Deep Orange Fire effect
Special Lavender. Moonlight, musical, romantic scenes, enhances skin tones
Fern Green, Cycloramas - good mood effect
Dark Green, Cycloramas - good for back lighting
Mauve, Cycloramas - good for back lighting
Pink. Dance sequences (useful for softening white costumes without effecting skin tones)
Bright Pink, Cycloramas - good for backlighting - strong effect
Heavy Frost. Used for soft light effect 75 micron
Clear. Used in animation and projection work
Marine Blue. Romantic moonlight - underwater scenes - ballet
Medium Blue. Set lighting, travelling matt blue, cycloramas & night
Golden Amber. Fire effect (doubled up)
Deep Golden Amber. Fire effect
Pale Lavender. Pantomime, ballroom sets, enhances dark skin tones in follow spots
Smokey Pink, Cycloramas - set lighting, discos
Pale Green. Good with Gobos for wooded scenes
Gold Tint. Pleasing for theatrical lighting
Summer Blue. Warm blue - cycloramas - tint wash
Pale Rose. Pleasing effects for theatrical lighting, lamplight
Pale Salmon. Backlighting in conjunction with white light
Pale Gold. Interior lighting to enhance skin tones
Chocolate, with 103 in same lantern to produce candlelight
Bright Rose. Fire effects, musicals
Pale Violet. Moonlight, chandeliers, hightlighting pot plants
Apricot. Sunrise, sunset, lamplight
Bright Blue. Pretty or romantic moonlight, cycloramas, night
Pale Navy Blue. Moonlight, cycloramas
No Colour Blue. Moonlight for blue green seas, cycloramas with 147 to produce sunsets
Roll 1.22m x 7.62m
Tough Silk
Roll 1.22m x 7.62m
LUX 1.22m x 7.62m / 48" x 25ft
Roll 1.22m x 7.62m
Opal Tough Frost Roll
Tough 1/2 White Diffusion Roll
Tough 1/4 White Diffusion Roll
Light Opal Roll
Opal Frost Diffusion material
One Sixteenth White Diffusion. Used for soft light effects
Three Quaters White Diffusion. Used for soft light effects
Three Eighths White Diffusion. Used for soft light effects
Quarter White Diffusion Quarter strength 216
F1 Frost. Soft light effect (50 micron)
F2 Frost. Soft light effect (50 micron)
Half White Diffusion 1.524m x 6.1m (60 x 20ft)
White Diffusion 1.524m x 6.1m (60 x 20ft)
1.5CTO. Converts daylight (6500K) to tungsten (2507K)
DOUBLE CTO. Converts daylight (6500K) to tungsten (2147K)
1.5 CTB. Converts tungsten (3200K) to daylight (8888K)
Black Wrap - Large Black aluminium wrap 610mm x 7.5mtr
Black Wrap - Small Black aluminium wrap 300mm x 15mtr
Light Opal Frost. Used for soft light effects
Blue Diffusion. Used for soft light increases colour temperature slightly (50 micron)
Hollywood Frost. Light frost effect - softens edges
Half Light Frost. Light frost effect
Quarter Light Frost. Light frost effect
Eighth Light Frost. Light frost effect
Soft Frost
1/2 Density Sft Frst
Opal Tough Frost
Light Opal Tough Frost
Tough White Diffusion
1/2 Tough White Diffusion
1/4 Tough White Diffusion
Silent Frost
DTCFTungsten conversion filter. This orange dichroic glass filter converts the light of the DLH200D from Daylight to tungsten (when DaylightLamp is used) - from 5600 K to approximately 3200 K. Light loss - 1 stop.
Délai de livraison de 4 à 6 semaines
Roll 1.22m x 7.62m
Roll 1.22m x 7.62m
Roll 1.52m x 6.10m
LS Phosphor Panel - Chroma Blue
Roll 1.22m x 7.62m
Polarizing Filter - 17" x 20"
Roll 1.22m x 7.62m
Roll 1.22m x 7.62m
Roll 1.22m x 7.62m
Roll 1.22m x 7.62m
Roll 1.22m x 7.62m
Roll 1.22m x 7.62m
Roll 1.22m x 7.62m
Roll 1.22m x 7.62m
Polarizing Filter - 43cm x 51cm sheet
Sola 12/Inca 12 Individual Gel - Half White Diffusion
Sola 12 Individual Gel - Full CTO
Sola 12 Individual Gel - 1/2 CTO
Sola 12 Individual Gel - 1/8 CTO
The Elinchrom OCF Gel Dome Kit serves double duty. It's a set of colored modifiers producing softer light with an even spread to use with other accessories and a protective polycarbonate cover for Elinchrom OCF units.
Délai habituel 1 semaine
The filter attaches with magnets onto the OCF II Grid and Gel Holder or the OCF II Barndoor and is easily stackable with optional grids for use as a hair light or accent light.
The filter attaches with magnets onto the OCF II Grid and Gel Holder or the OCF II Barndoor and is easily stackable with optional grids for use as a hair light or accent light.
The filter attaches with magnets onto the OCF II Grid and Gel Holder or the OCF II Barndoor and is easily stackable with optional grids for use as a hair light or accent light.
The filter attaches with magnets onto the OCF II Grid and Gel Holder or the OCF II Barndoor and is easily stackable with optional grids for use as a hair light or accent light.
The filter attaches with magnets onto the OCF II Grid and Gel Holder or the OCF II Barndoor and is easily stackable with optional grids for use as a hair light or accent light.
The filter attaches with magnets onto the OCF II Grid and Gel Holder or the OCF II Barndoor and is easily stackable with optional grids for use as a hair light or accent light.
One of an offering of 12 filters, this Profoto Rose Pink Gel Filter is a good choice when you feel that creative spark.
The filter is generally used to convert the light's approximately 5500K daylight color to about 2900K tungsten balance to match other fixtures or ambient light conditions.
Designed for use with Profoto B10, B10 Plus, and B1X flash heads, the OCF II Gel Ring attaches magnetically to the OCF II Grid and Gel Holder Barndoor.
The Profoto Half Plus Green OCF Gel adds green to balance the flash with fluorescent and other discharge sources.
The filter warms daylight 5500K to about 3800K tungsten balance for a late afternoon effect or for use as a hair or accent light.
Designed for B10, B10 Plus and B1X, the Profoto Quarter CTB OCF Gel raises the color temperature of these 5600K lights to render a slight blue cast to match the ambient light or for creative expression.
Commonly used cosmetically, this filter warms the light's color from approximately 5500K to about 4500K. The filter easily stacks with optional grids for selective lighting.
Tough Spun Roll
Light Tough Spun Roll
blue/red gel filter, incl. DFH400 filter holder
Délai de livraison de 4 à 6 semaines
yellow/turquoise gel filter, incl. DFH400 filter holder
Délai de livraison de 4 à 6 semaines
yellow/magenta gel filter, incl. DFH400 filter holder
Délai de livraison de 4 à 6 semaines
turquosie/orange gel filter, incl. DFH400 filter holder
Délai de livraison de 4 à 6 semaines
orange/turquoise gel filter, incl. DFH400 filter holder
Délai de livraison de 4 à 6 semaines
Roll 1.22m x 7.62m
Roll 1.22m x 7.62m
Black Cinefoil - 1.22m x 7.62m
Tough Spun
Light Tough Spun
1/4 Tough Spun
Thin Mirror - S - 1.52m x 6.10m
Thin Mirror - G - 1.52m x 6.10m
Rosco 229 Roll 1.22m x 7.62m
Roll 1.22m x 7.62m
Gel Pack / Foil bag red. All gel filters secure - ca. 58cm x 70cm.
Gel Pack / Foil bag black. All gel filters secure - ca. 58cm x 70cm.
Gel Pack / foil bag blue. All gel filters secure - ca. 58cm x 70cm.
Gel Filter Set 2 (3314 1/4 Minusgreen, 3318 1/8 Minusgreen, 3040 Powder Frost, 184 Cosmetic Peach, 3409 1/4 CTO, 3410 1/8 CTO, 3208 1/4 CTB, 3216 1/8 CTB)
Designed for their C1 Plus, A1X, and A1, the Clic Gel in full CTO from Profoto adds color to your images for fun and creative effects, and also shapes light to create distinct looks. This specific gel is used primarily to naturally balance the created light with ambient light, such as golden hour.
Works with all original 1x1 models only
Inca 9 Individual Gel - Full CTB
Sola 6 Individual Gel - 1/8 CTO
Inca 6 Individual Gel - Full CTB
Sola 6 Individual Gel - 1/4 CTO
Sola 6 Individual Gel - 1/2 CTO
Sola 6 Individual Gel - Full CTO
Works with all original 1x1 models only
Works with all original 1x1 models only
Works with all original 1x1 models only
Works with all original 1x1 models only
Works with all original 1x1 models only
Works with all original 1x1 models only
Works with all original 1x1 models only
Hilio D12/T12 Individual Gel - Half White Diffusion
Sola 9/Inca 9 Individual Gel - Opal Frost Diffusion
Sola ENG 3-Piece CTO Gel Set
1x1 Individual Gel - Opal Frost Diffusion
1x1 Individual Gel - Half White Diffusion
Hilio D12 Individual Gel - Full CTO