Yamaha TF-RACK - Digital Mixing Console

New

16 mic/line + 1 stereo line Input, 16-Output rack-style digital mixer, 40 + 2 St & 2...
Read more
Manufacturer's price :
2 610,00 CHF (tax excl.)

Visuals price :

1 550,00 CHF


1 675,55 CHF (tax incl.)  

Rectangle
Guarantee: garantie Visuals Guarantee 24 Months
In-house aftersales service: update, repair and backup.
Availability: clock

piece(s) in stock

- +

180489
More info  
Yamaha Digital Mixing Console

The Yamaha TF-Rack is a rack-mountable digital audio mixing console that features a touchscreen display, and is expandable up to 40 input channels by adding the optional Tio1608-D I/O rack. Ideal for a multitude of live sound reinforcement scenarios, the TF-Rack can also be used for live recording, offering 34x34 channel digital recording and playback via USB 2.0 using a computer and your preferred DAW software, and 2x2 channel recording and playback using any USB storage device.

The TF-Rack console itself provides 16 analog XLR/TRS combo mic/line inputs with 48V phantom power, as well as an analog RCA stereo line input, and 16 analog XLR outputs. Each combo input channel features a recallable D-PRE microphone preamp, as well EQ and two dynamics processors. In addition, the console offers eight powerful FX processors with patches ranging from reverb and delay, to modulation effects such as flanger and chorus, to utility processing like 3-band multi-band compression. The TF-Rack ships with Steinberg's Nuendo Live for advanced multi-tracking and virtual sound check capabilities.


Features

16 Mic/Line + 1 Stereo Line Input, 16-Output. Intuitive and Smooth All-in-One Rack-Style Digital Mixer

- All-in-one mixing and processing capability for small to medium scale live sound, corporate speech events, installations, and more

- Packs intuitive user interface, natural control flow, digital effects/processing units and many shortcuts to great sound into a compact, portable rack-style unit


Scene Memory that Stores Mix Settings for Instant Recall

- 200 scenes (Bank A and Bank B)

- Some scenes are pre-programmed to give users a head start with the 1-knob COMP and 1-knob EQ controls engaged for the easiest possible operation

- Scenes with the 1-knob features disabled for experienced engineers who might want to follow an established procedure

- Banks are great for organizing different types of scenes: one for scenes categorized by music type, and the other by event type


1-Knob COMP & 1-Knob EQ

- Single knob to dial in the ideal sound

- Refined functionality allows for quick access to multiple parameters via a single knob

- Both the 1-knob COMP and 1-knob EQ provide quick access to the full compressor and EQ displays, so you can fine tune settings as required


QuickPro Presets Provide Instant Access to Pro Sound Setups

- A selection of optimized QuickPro Presets for a wide variety of microphones and output equipment by working in collaboration with well-respected engineers and major microphone manufacturers such as Audio-Technica, Sennheiser and Shure

- Input channels: More than 100 presets that range from vocals to drum sets

- Presets were precisely tuned by using a wide range of actual microphones and instruments

- Output channels: Presets for a variety of speaker systems and in-ear monitors with several variations to match different environments and room sizes


A Natural Sound Foundation with Extra Creative Freedom

- Circuitry and individual components have been reassessed and redesigned where necessary to achieve pure, natural sound

- Solid sonic foundation is backed up by an updated selection of high-performance processors and effects

- Input and output channel processors such as EQ, gates and compressors are complemented by eight processors that provide a broad spectrum of creative capabilities


Recallable D-Pre Microphone Preamplifiers

- The circuit is based on a discrete inverted Darlington pair configuration that achieves clean, precise amplification with consistently low noise and distortion at all signal levels

- The D-PRE preamplifier has been designed with a flat, wide frequency response that retains the tone and nuance of the original sound so that the essence of the performer’s art is captured intact


Powerful Processing/Effect Units

- SPX processors with 19 programs

- Delay and Reverb

- Modulation: Flanger and Chorus

- Multi-Band Compression


Applications that Work Seamlessly with the Console

- TF Editor Facilitates Offline Editing Plus Showtime Control

- Provides a complete interface for offline editing and setup of TF consoles, with scene and preset management capabilities plus convenient keyboard entry of channel names

- Can be used online at the same time as the TF StageMix and MonitorMix applications

- Windows 8 PC with a multi-touch screen can use the same gestures as on the console itself

- If using Wi-Fi, a PC can function as a convenient remote-mixing device

- Up to three devices running TF Editor or StageMix can be connected at the same time


TF StageMix for Wireless Mixing

- iPad application that provides wireless control of TF series consoles, allowing remote mixing from audience seating, in front of floor monitors, or any other listening position

- Designed for similar operation and flow to the console display

- Can be used as an extension of the console’s own interface


Personal Monitoring with MonitorMix

- Allows individual wireless AUX mixing from up to 10 iPhone, iPad or iPod touch devices simultaneously

- Each performer can have convenient control over the AUX buses assigned to them, without having to deal with complex settings or parameters

- Create personal Group settings for even easier adjustment, such as all levels on one fader


Intuitive User Interface Optimized for Touch Panel Operation

- Touch Operation for Intimate Control

- Refined for the smoothest possible operation via touch-panel control

- Offers a smooth workflow that can be an advantage in any mixing situation

- Specifically designed for easy, direct accessibility, with a layout that promotes the most natural, efficient mixing

- Touch panel operation is as easy as shaping the sound with your fingertips


Touch & Turn Knob Offers Extra Control Precision

- When you need extra precision for a fine EQ or other adjustment, the physical Touch & Turn knob is always available right beside the touch panel

- Four User Defined Knobs below the panel that can be assigned to control compressor threshold, EQ gain, or other parameters you need fast, direct access to while mixing

- Knobs always affect the currently selected channel


Versatile Connectivity for a Wide Range of Applications

- 16 mic/line + 1 stereo line inputs and 16 outputs on its compact body

- Slot to mount optional expansion card NY64-D

- Plug'n play Dante stagebox solution

- Tio1608-D is a Dante-equipped I/O rack with 16 microphone/ line inputs and 8 line outputs

- Add up to three Tio1608-D I/O racks


 

 



Specifications



 



Mixer



Input Channels: 40 (32 mono + 2 stereo + 2 return)

Aux Buses: 20 (8 mono + 6 stereo)

Stereo Buses: 1

Sub Buses: 1

Input Channel Functions: 8 DCA Groups



I/O



Inputs: 16 mic/line (XLR/TRS combo) + 1 stereo line (RCA pin)

Outputs: 16 (XLR)

Expansion Slots: 1



DSP



8 effects + 10 GEQ



USB



34 x 34 USB audio interface, 2-track recording via USB storage device



Sampling Frequency



48 kHz, internal



Signal Delay



Less than 2.6 ms, Input to Omni Out, Fs=48 kHz



Total Harmonic Distortion



Less than 0.05% 20 Hz - 20 kHz @ +4 dBu into 600 Ohms, Input to Omni Out, input gain = min. (measured with a -18 dB/octave filter @ 80 kHz)



Frequency Response



+0.5, -1.5 dB 20 Hz - 20 kHz, refer to +4 dBu output @ 1 kHz, Input to Omni Out



Dynamic Range



110 dB typ., DA converter, 108 dB typ., Input to Omni Out, input gain = min



Noise



Equivalent Input Noise: -128 dBu typ., input gain = max. (measured with an A-weight filter)

Residual Output Noise: -85 dBu, ST master off (measured with an A-weight filter)



Crosstalk



-100 dB (measured with a -30 dB/octave filter @ 22 kHz), adjacent Input/Omni Out channels, input gain = min



Power Requirements



100 - 240 VAC 50/60 Hz



Power Consumption



85 W



Analog Inputs



Input Terminals: Input 1-16, ST In 1,2

Gain: -6 dB / +66 dB (Input 1-16)

Load Impedance: 7.5 kOhms (Input 1-16); 10 kOhms (ST In 1,2)

For Use with Nominal: 50 - 600-Ohm mics or 600-Ohm lines (Input 1-16); 600-Ohm lines (ST In 1,2)

Sensitivity: -82 dBu (61.6 μV), -10 dBu (245 mV) (Input 1-16); -30 dBV (31.6 μV) (ST In 1,2)

Nominal: -62 dBu (0.616 mV), +10 dBu (2.45 V) (Input 1-16); -10 dBV (316 mV) (ST In 1,2)

Max. Before Clip: -42 dBu (6.16 mV), +30 dBu (24.5 V) (Input 1-16); +10 dBV (3.16 V) (ST In 1,2)

Connector: Combo Jack (XLR-3-31 type or TRS phone) balanced (Input 1-16); RCA pin jack unbalanced (ST In 1,2)



Analog Outputs



Output Terminals: Omni Out 1-16, Phones

Source Impedance: 75 Ohms (Omni Out 1-16); 100 Ohms (Phones)

For Use with Nominal: 600-Ohm lines (Omni Out 1-16); 40 Ohms (Phones)

GAIN SW: +24 dBu position (default) (Omni Out 1-16)

Nominal Output Level: +4 dBu (1.23 V) (Omni Out 1-16); 3 mW (Phones)

Max. Output Level Before Clip: +24 dBu (12.3 V) (Omni Out 1-16); 75 mW (Phones)

Connector: XLR-3-32 type balanced (Omni Out 1-16); stereo phone jack (TRS) unbalanced (Phones)



Digital Input/Output



Terminals: USB (to Host), iPad

Format: USB

Data length 24-bit (USB to Host)

Audio: 34-ch input / 34-ch output, PCM (USB to Host); Playback: MP3 or WAV file data / Record: WAV file data (iPad)

Connector: USB (B-type) (USB to Host); USB (A-type) (iPad)



Control I/O



Terminals: Network, Foot SW

Format: IEEE802.3 (Network)

Level: 10Base-T/100Base-TX (Network)

Connector: RJ-45 (Network); TS Phone (Foot SW)



Dimensions (W x H x D)



18.9 x 5.2 x 16.1" / 48.0 x 13.2 x 40.9 cm



Net Weight



20.3 lb / 9.2 kg




 


    Need help,
    Need financing,
    Call us!

  • GE : + 41 22 561 07 07
  • ZH : + 41 43 255 59 00
  • TI   : + 41 91 985 25 11

Menu