No products
Check out
All manufacturers ABC AJA Allen Avionics Alphatron Amberfin Angenieux Anton-Bauer Arri Astro Athletic ATOMOS Autocue Beachtek BlackMagic Design Bluebell Opticom Blueshape Boxx Broadcast Pix C-Motion CamRade Canon Canopus Century-Optics Chrosziel Cinedeck Cineroid Comer Convergent Design Datavideo Decimator Dedolight Digidolly Don Earl Doremi DSM DvTec Easyrig Formatt Fostex Fotonexport Fujinon G-Technolgy Genus Harris Honda Hoodman Humble Monkey Productions Ianiro Image Engineering Induro Jvc K-Tek K5600 Kata KesslerCrane Kinoflo Koenig/Meyer KRK systems LAIGLE Litepanels LiveU MacBeth Mackie Manfrotto Marshall Matrox Matthews Miller Miranda Motu MovieTech MTF Muraro NewTek Optex Orad Osram PAG Panasonic Pelicase Philips Photoflex Playbox Poigneebleu PortaBrace PrompterPeople PSTechnik Putora RED Reflecmedia Rode Rorke Data Rycote Sachtler Safaritripod Samcam.tv Sandisk Sanken Sekonic Sennheiser Snell Sony SoundDevices SQN Swedish Chameleon Swit TECPRO Tiffen Triad TVOne Ultimatte Varizoom Vinten Visuals Vocas Voice-Technologies Vokkero Vsn Yamaha Zacuto Zeiss Zunow Zylight
All new products
Subscribe Unsubscribe
Discover our offices
Available in meters or feet, its focus ring has got a 320° focus rotation with over 50 precise focus witness marks and minimal breathing.
Select to compare
The Optimo DP Rouge 16-42mm is a highly versatile zoom lens for use with large format, single sensor, digital production cameras.
The Optimo DP Rouge 30-80mm is a highly versatile zoom lens for use with large format, single sensor, digital production cameras. It has a fast aperture of T:2.8, calibrated focus marks, & no ramping or breathing, in a lightweight & compact PL mount.
The new lens offers a focal range of 4.5 to 63mm (9 to 126mm with 2x extender) and an aperture of f/1.8 (4.5 to 41mm).
New optical standard for cinematography. Based on the latest in design methods,optical glass,and findings on suppression of reflexes and stray light Carl Zeiss and its partner ARRI have introduced a new generation of fast prime lenses for 35 mm film, the Ultra Primes.
Ultra Prime lenses have the widest focal range of prime lenses giving you the flexibility to get the coverage you want.
New optical standard for cinematography.Based on the latest in design methods, optical glass, and findings on suppression of reflexes and stray light Carl Zeiss and its partner ARRI have introduced a new generation of fast prime lenses for 35 mm film, the Ultra Primes.
optical standard for cinematography.
Arri / Zeiss Ultra Primes offer crystal clear color and contrast with excellent matching across all focal lengths. For technical clarity and sharpness, nothing compares to the Ultra Primes.